What it’s about: The wacky on-the-job adventures of the Brooklyn Nine Nine crew continue, but this time with a dash of high-stakes drama and romance: Captain Holt is forced to leave the Nine Nine, and Jake and Amy start to get a move on. Charles and Gina bang in what must be the most non-sequitur office pairing in sitcom.
- Brooklyn Nine Nine continues to be a well-written and comforting collection of good-hearted hilarity (except for its ceaseless mean-spirited riffing of Hitchcock and Scully (and to a smaller extent, Boyle) who only deserve about 80% of what comes to them).
- Character dynamics seem to evolve somewhat naturally – while everyone plays off their stereotypes for comic effect, there is a divide between their joke selves and their dramatic selves – they are more than their own typecasting. Nowhere is this more apparent than Jake Peralta, who becomes surprisingly decent-hearted even as his naturally carefree self gets him into real hot water at least twice an episode.
- Charles is the most hangdog-sad character in the show – an overly cultured individual with an odd interpretation of social mores, strangely worshipful towards his best friend Jake – and I somehow feel the saddest for him, just because it’s in his inherent nature to be the butt of all the jokes. His boundless and strange passions and indefatigable zest for the oddly fine things in life are oddly sympathetic, yet he is more often than not rendered impotent by his esoteric preoccupations in a way that is humorous but also somewhat tragic. And it feels that there are cracks in his friendship with Jake, which seemed a sacrosanct partnership in season 1.
- Amy’s maturity and her wilfully blind devotion to Holt seem at odds with each other – one is played for laughs while the other makes her a foil for the zanier antics of the group. Yet the show balances this well, making Amy an accomplice to insanity at some points and a straight-laced goody two shoes another. It’s just one of the comic juxtapositions that keeps the show fresh.
- The show ends on a bum note – Holt leaving the Nine Nine, defeated at the moment of victory by his arch-nemesis Wunch – and that is a bit of dramatic irony (because we know it’ll end up alright – it’s a sitcom!), but it really does seem rather sad.
Verdict: Same old fun, with a bit of character growth and exploration of the dramatic while not sacrificing the formulas that make this show a comedic tour de force – Brooklyn Nine Nine hasn’t lost its Season 1 spark, and may even outshine it in the feels department.
I give this: 4.5 out of 5 Gigglepigs